Lora Mouna – “The Difference”
22 minutes ago
Saturday, March 15, 2008
SXSW - day 3
Friday we camped out at the Pitchfork party from beginning to end. A stellar line-up alternated between the inside and outside stages every half hour. The temps were in the 90s, but Emo's offered free hydration options and more importantly, lots of shade.
High Places started off the day to a relatively sparse crowd at noon. Too bad because they were one of two great discoveries of the day. Think Animal Collective, with a more dancable beat.
The other revelation of the day goes to Swedish pop singer Lykke Li. Her songs were a rush of pure sugary pop, delivered with a magnetic stage presence that had the audience swooning. She's a crossover success waiting to happen.
Fuck Buttons will be blamed for any permanent hearing loss I may have suffered this week. I'm sure they would take that as a compliment and rightfully so. Their brand of Eno-inspired drone was hypnotic and driving.
When the dust settles, I'm betting that Bon Iver's several performances this week will figure among the most talked-about of the entire festival. Justin Vernon's album is heartbreaking in its solitude, but here in a three-piece band, his songs brilliantly translate into something new altogther. They won over the crowd instantly...Vernon even had hipsters participating in an irony-free sing-along. It was my favorite set of the week.
Love the album, but I wasn't sure what to expect out of Atlas Sound in a live setting. After seeing them twice this week, I can tell you that Bradford Cox sends out a assured and surprisingly jammy vibe that was a perfect remedy for the hot and the tired among us. And he's just such a jovial, witty fella. I don't understand any of the controversy around him.
Another highlight of the week, Yeasayer played a thrilling set near the end of the day. Their drum-circle energy is contagious. And in case anyone cares, 2080 is still one of my favorite songs.
Friday, March 14, 2008
SXSW - day 2
Thursday, March 13, 2008
SXSW - day 1
Landed in Austin by noon, rented the car, checked into our hotel and on 6th Street by 1:30. First day and all, the crowds were still sparse. We strolled into parties of our choice; no lines yet. We eventually settled in at the Terrorbird Media/ForceField PR party at Emo's outside stage. Sets by These New Puritans, Yacht, The Raveonettes, The Mae Shi, all excellent. My highlight of the day was saved for the conversational performance by Khaela Maricich of The Blow, complete with an awkward game of bingo for the audience.
I hate to admit that I forgot my camera at the hotel so I haven't a single pic to post. That's poor form and I apologize.
Anyway, the day shows were winding down by about 5:30 and by this time, Jose and I were dragging. We didn't have the mental cleverness or stamina to even attempt the evening showcases. Instead, we headed back to the hotel and recharged. I would have been content headed to bed early, but the night was not over for us. Not gettin' into details, I'll just leave you with this pic of Jose to intrigue your curiosity...this is Texas after all.
I hate to admit that I forgot my camera at the hotel so I haven't a single pic to post. That's poor form and I apologize.
Anyway, the day shows were winding down by about 5:30 and by this time, Jose and I were dragging. We didn't have the mental cleverness or stamina to even attempt the evening showcases. Instead, we headed back to the hotel and recharged. I would have been content headed to bed early, but the night was not over for us. Not gettin' into details, I'll just leave you with this pic of Jose to intrigue your curiosity...this is Texas after all.
Tuesday, March 11, 2008
Goals for SXSW
I have my ideal schedule all worked out, but based on my experience last year back-up plans must be at the ready. Some of these venues will reach capacity before my spot in line hits 100 yards of the entrance. It's part of the fun.
Admittedly, this year there is no Iggy Pop-caliber performer; nothing at that same level of must-see madness, but there's plenty to be excited about. Here's my top 5 wish list, excluding acts that are only playing showcases (e.g. REM, My Morning Jacket, Ya La Tengo, etc.)
Man Man
Destroyer
Bon Iver
Islands
Atlas Sound
Since it is so hard to name just five, I'll just keep going: Jens Leckman, Okkervil River, Shearwater, Fuck Buttons, Yeasayer, Matt & Kim, Handsome Furs, White Williams, Fleet Foxes, Ola Podrida and of course, The Breeders. A predictable list and surely a common one, so here's hoping for some unexpected discoveries. If I'm able to see half of these bands, I'll come home happy (and tired).
List aside, I think all I really want is to do is see Lou Reed in person. Just run into him on the street. Forget the music. If I could just meet Lou, that'd be it. I'd drop everything and head home early.
Tomorrow's travel day and I'm waking up at 4am. Best be going.
Admittedly, this year there is no Iggy Pop-caliber performer; nothing at that same level of must-see madness, but there's plenty to be excited about. Here's my top 5 wish list, excluding acts that are only playing showcases (e.g. REM, My Morning Jacket, Ya La Tengo, etc.)
Man Man
Destroyer
Bon Iver
Islands
Atlas Sound
Since it is so hard to name just five, I'll just keep going: Jens Leckman, Okkervil River, Shearwater, Fuck Buttons, Yeasayer, Matt & Kim, Handsome Furs, White Williams, Fleet Foxes, Ola Podrida and of course, The Breeders. A predictable list and surely a common one, so here's hoping for some unexpected discoveries. If I'm able to see half of these bands, I'll come home happy (and tired).
List aside, I think all I really want is to do is see Lou Reed in person. Just run into him on the street. Forget the music. If I could just meet Lou, that'd be it. I'd drop everything and head home early.
Tomorrow's travel day and I'm waking up at 4am. Best be going.
Monday, March 10, 2008
This friend of mine, I’ll call him Jose, has an uncanny ability to take advantage of opportunities that come his way. He’s just one of those people who can talk their way into anything. Superhuman charm. He’d kill as a salesman, a talent agent, a PR man, you see what I mean. As you might guess, he saves his best tactics for subjects of a female persuasion, but his formidable powers are useful in other arenas as well. A classic example took place a couple of years ago when he was down in Austin for ACL. A highly-anticipated TVOTR gig at Emo’s was sold-out, with the crowd overflowing into the street. My wife and I had tickets, and for whatever reason, Jose and his girlfriend did not. No ticket, no entry. They’d have to head back to the hotel or go wander 6th Street. Nope...instead, by the time we get into Emo’s, there sits Jose and his girlfriend relaxing, having a Corona, waiting for the band to start. My personality-type is basically the polar opposite of my friend Jose, so for me, this is nothing short of amazing to behold. Without breaking a sweat, Jose used his superpowers to cripple some unsuspecting bouncer, talking his way into a sold-out event, free of charge, for two people!
Fastforward to this week. Jose and I are both headed down to SXSW on Wednesday. Neither of us have wristbands or badges. You see where I’m going with this. My plan is to go the day-party route, like I did last year. It’s a fantastic and affordable way to go. You see dozens of great bands for next to nothing. I was even planning to abandon downtown Austin once the sun had set. I briefly tested the waters last year and there wasn’t a chance in hell for someone (like me) to get into the showcase events without a badge, wristband, or waiting in line for hours counting on a mircale that there’d be remaining room for a lowly ticket buyer. My friend Jose has other ideas. My friend Jose believes he can wield his powers yet again to gain entry into exclusive events. I’ve seen him in action but I’m still skeptical. If he IS able to get his way in, he sure as shit won’t be able to do it without a bribe. But he’s a determined man. Already, Jose has shamelessly tried to obtain VIP access into just about every blog-sponsored showcase, by basically loitering on their front doorstep. Not a single bite. Jose needs to be there in person, face to face with his target. That is when he's at full strength.
Fastforward to this week. Jose and I are both headed down to SXSW on Wednesday. Neither of us have wristbands or badges. You see where I’m going with this. My plan is to go the day-party route, like I did last year. It’s a fantastic and affordable way to go. You see dozens of great bands for next to nothing. I was even planning to abandon downtown Austin once the sun had set. I briefly tested the waters last year and there wasn’t a chance in hell for someone (like me) to get into the showcase events without a badge, wristband, or waiting in line for hours counting on a mircale that there’d be remaining room for a lowly ticket buyer. My friend Jose has other ideas. My friend Jose believes he can wield his powers yet again to gain entry into exclusive events. I’ve seen him in action but I’m still skeptical. If he IS able to get his way in, he sure as shit won’t be able to do it without a bribe. But he’s a determined man. Already, Jose has shamelessly tried to obtain VIP access into just about every blog-sponsored showcase, by basically loitering on their front doorstep. Not a single bite. Jose needs to be there in person, face to face with his target. That is when he's at full strength.
Shameless plug for my brother-in-law Johnny Blaze, a talented multi-instrumentalist and irreplaceable member of countless Minnesota upstart rock bands. I caught one of his shows this past weekend in Duluth, performing with jam band The Rez. Must say buddy, I was very impressed. Keep me updated on future gigs.
Friday, March 07, 2008
It's been a while...
...over a year in fact. First, let me apologize to my loyal readers for the unannounced blogging hiatus. Attention spans are low, so I guess I'll have to e-mail all three of you to let you know my site still exists. Phew, and that sidebar needs updating, too.
The last year has been one full of sadness and joy, both of which were too overwhelming to allow time for this little hobby of mine. Or that's my excuse at least. It's true that free time is still at a bare minimum thanks to this fella but I'll figure something out.
The important thing is that I'm headed back home to Austin for SXSW next week. Check back soon!
The last year has been one full of sadness and joy, both of which were too overwhelming to allow time for this little hobby of mine. Or that's my excuse at least. It's true that free time is still at a bare minimum thanks to this fella but I'll figure something out.
The important thing is that I'm headed back home to Austin for SXSW next week. Check back soon!
Thursday, January 04, 2007
Clarification
I've been informed by one loyal reader that I needed to clear up some possible confusion with my 'Best of 2006 - Albums' posting. So just to clarify, the entire list has now been posted but I simply added it on to the Dec. 23rd entry. The glorious top 25 is readily available for you to question, judge, scoff and eventually accept as gospel. Thank you.
Saturday, December 23, 2006
JTM's Best of 2006 - The albums
UPDATE: The entire list is now posted here.
This one stubborn friend keeps telling me that 2006 was an under-achieving year for music. And I keep telling him that he's terribly mistaken. We go back and forth like this for a good while. It's really a fascinating conversation. No, not at all actually. But consider this my final argument: the list speaks for itself. I don't make this shit up, I just report it. Personally, I can't find a weak link in the bunch. In fact, I have expanded this year's best album list up to 25 from last year's top 10. So if anything, I've found more to love this year than last.
The albums: 25 - 1
25. Tom Waits - Orphans
Technicalities might normally keep this 3-disc compilation of both new and old material from qualifying on this sort of list, but Tom Waits gets a pass. The Brawlers disc alone is worthy of a ranking. The man and his music are from another time, place and world. All I ask is that he visit my world once. Please, Tom. You're high on my list of dream concerts to see before I die.
24. Beirut - Gulag Orkestar
I first heard of Beirut early this year from the always enthusiastic blogging community who have become the online equivalent of the British press. So the hype was there. Luckily, there was substance behind it. There's no denying the unique talent of Zach Condon's debut album of Eastern European orchestra pop. This 19-year-old has created a mini-masterpiece that isn't quite Neutral Milk Hotel, but since they aren't making music anymore, and since The Decemberists are overrated, Beirut will fit the bill for me.
23. Sparklehorse - Dreamt for Light Years In The Belly Of A Mountain
Linkous basically picks up right where he left us some 5 or so years ago with his last album. And there's nothing wrong with that. There's even a track or two on this disc dating back to It's A Wonderful Life's recording session. The most noticable change with Dreamt for Light Years is a more fast paced rhythm, that at times almost approaches rock 'n roll. Nah. This is an album meant for headphones, and not some ear-bud iPod action. I'm talking those huge high-fidelity headphones that are bigger than your head.
22. Mission of Burma - The Obliterati
There are some older gentlemen included on this list. But listen to Tom Waits, listen to Bob Dylan. They sound their age, they're acting their age. So what are we to make of MoB? In today's youth-centric music culture, there is no way we should be taking 50-year-olds seriously when they're acting like angst-ridden 20-year-olds. There's no way around it. Then again, listen to this album which is blistering with post-punk fury in ways that the younger crowd can only imitate. They kick the ass out of any Franz Ferdinand or Interpol in the circuit. Burma was already legendary before The Obliterati but I'll admit that this disc was my first encounter with their music. I'm late to the game, but better late than never.
21. Swan Lake - Beast Moans
This one took time to fully absorb. Didn't get to me on the first few listens. I put it away for a few weeks and came back to it to give it second chance, and it clicked. What at first sounded to me like a muddled mess became something much different. Something oddly beautiful. Carey Mercer's influence here is the star and although Spencer and Dan each have their characteristic songs, the Mercer/Frog Eyes trademark of beautiful, noisy chaos is prominent and reveals itself to be the creative force behind this excellent album.
20. Thom Yorke - The Eraser
Claustrophobic? Yes. A downer? Sure. Ripe full of Thom Yorke patented colloquialisms? Of course. But while Thom shouldn't consider quitting his day job, this unexpected solo effort is a powerful suite of electronic beats and melody led front and center by one of Thom's best ever vocal performances.
19. Belle & Sebastian - The Life Pursuit
Winning the award for catchiest album of the year, The Life Pursuit also represents a welcome return to form for Belle & Sebastian. Their sound has evolved well beyond the whimsical 60's pop found on the early classics. The new B&S are now more inclined to embrace influences from R&B, blues and glam rock. The result is an addictive combination of B&S pop and T. Rex boogie.
18. Bonnie "Prince" Billy - The Letting Go
I only discovered Will Oldham's amazing songwriting chops this year after stumbling upon his LP I See A Darkness. And while The Letting Go remains a far cry from that late-90s release, the new disc is nonetheless an accomplished piece of songwriting and harmony. The songwriting and instrumentation is perfection but for me, it's the beautiful dance of vocal harmony between Oldham and featured vocalist Dawn McCarthy that makes these songs so potent.
17. Cat Power - The Greatest
Chan Marshall has had one hell of a year. I won't go into the details except to say that The Greatest is the definitive statement that she's turned a corner. Backed by a band of Memphis all-stars, Chan has put together a haunting collection of sultry soul numbers. Better yet, all signs indicate that her live performances have embraced a surprising degree of soul as well.
16. Liars - Drum's Not Dead
The only album on the list without a single pop hook. A lack of melody is typically not something I would label as praise but in this case, it is somehow the best compliment I can give. In any case, for some reason I keep going back to this droning, tribal, drum-based concept album as if under hypnosis.
EDITORIAL NOTE: This list is taking me longer than I anticipated. Too many words, not enough list. I'll let the rest speak for itself, almost.
15. My Brightest Diamond - Bring Me The Workhorse
My Brightest Diamond came through town twice this year and I missed her each time. That means the only time I've seen Shara Worden live was as leader of an enthusiastic and musically-inclinded troupe of cheer leaders spouting factoids about the 50 states.
14. Islands - Return To The Sea
My own little revelation of 2006 is indebted to this band's former incarnation, The Unicorns. But Islands keeps up the pace nicely. If nothing else, it's cute to hear Canadians rap.
13. Grizzly Bear - Yellow House
Prog as folk.
12. Sunset Rubdown - Shut Up I Am Dreaming
Better than Wolf Parade? No, but damn close. And that fact, along with the inclusion of Swan Lake on this list, crowns Spencer Krug fuckin' king of the musical universe in 2006.
11. Junior Boys - So This Is Goodbye
Genre alert: Soft adult contemporary is oh so cool again.
10. Xiu Xiu - The Air Force
Let's face it. This is as accessible as this band is likely to get. Enjoy it.
9. Sonic Youth - Rather Ripped
They began as noise rock with a pop sensibility. Over twenty years later with Rather Ripped Sonic Youth is an unabashed pop band with just a hint of that noise hangin' around in the background to make 'em still cool. Hey, it works.
8. Magnolia Electric Co. - Fading Trails
Great album but to be honest, I first became obsessed with Jason Molina's music upon discovering the final Songs:Ohia disc, coincidentally titled Magnolia Electric Co.
7. Destroyer - Destroyer's Rubies
Dan Bejar has become one of the most accomplished songwriters of our time. Don't you just love sentences like that? It's so frustratingly generic and exaggerated that there's no way you can argue with me. I win.
6. The Knife - Silent Shout
I prefer to pronouce their name phonetically.
5. The Hold Steady - Boys And Girls In America
My wife is seriously annoyed by these guys. I am not.
4. Bob Dylan - Modern Times
Lately, he can do no wrong. Point of fact: this record.
3. Joanna Newsom - Ys
Here's a formula for you aspiring rock stars out there...
Jim O'Rourke + Steve Albini + Van Dyke Parks x A one-of-a-kind harpist/lyricist = Epic.
2. Neko Case - Fox Confessor Brings The Flood
That voice! But you should also be reminded that she's a truly talented songwriter. And of course, she's smokin' hot!
1. TV on the Radio - Return To Cookie Mountain
Told you so. Six months later it still socks me in the gut, blowing my mind today like it did the first time I heard it. Plain and simple: TVOTR delivered on the ridiculous expectations of Young Liars and Desperate Youth, Bloodthirsty Babes. No one else sounds like 'em and no one else can top 'em. This is their OK Computer. The scary part is that based on their live show (which I saw 3 times this year), they are getting better and better.
This one stubborn friend keeps telling me that 2006 was an under-achieving year for music. And I keep telling him that he's terribly mistaken. We go back and forth like this for a good while. It's really a fascinating conversation. No, not at all actually. But consider this my final argument: the list speaks for itself. I don't make this shit up, I just report it. Personally, I can't find a weak link in the bunch. In fact, I have expanded this year's best album list up to 25 from last year's top 10. So if anything, I've found more to love this year than last.
The albums: 25 - 1
25. Tom Waits - OrphansTechnicalities might normally keep this 3-disc compilation of both new and old material from qualifying on this sort of list, but Tom Waits gets a pass. The Brawlers disc alone is worthy of a ranking. The man and his music are from another time, place and world. All I ask is that he visit my world once. Please, Tom. You're high on my list of dream concerts to see before I die.
24. Beirut - Gulag OrkestarI first heard of Beirut early this year from the always enthusiastic blogging community who have become the online equivalent of the British press. So the hype was there. Luckily, there was substance behind it. There's no denying the unique talent of Zach Condon's debut album of Eastern European orchestra pop. This 19-year-old has created a mini-masterpiece that isn't quite Neutral Milk Hotel, but since they aren't making music anymore, and since The Decemberists are overrated, Beirut will fit the bill for me.
23. Sparklehorse - Dreamt for Light Years In The Belly Of A MountainLinkous basically picks up right where he left us some 5 or so years ago with his last album. And there's nothing wrong with that. There's even a track or two on this disc dating back to It's A Wonderful Life's recording session. The most noticable change with Dreamt for Light Years is a more fast paced rhythm, that at times almost approaches rock 'n roll. Nah. This is an album meant for headphones, and not some ear-bud iPod action. I'm talking those huge high-fidelity headphones that are bigger than your head.
22. Mission of Burma - The ObliteratiThere are some older gentlemen included on this list. But listen to Tom Waits, listen to Bob Dylan. They sound their age, they're acting their age. So what are we to make of MoB? In today's youth-centric music culture, there is no way we should be taking 50-year-olds seriously when they're acting like angst-ridden 20-year-olds. There's no way around it. Then again, listen to this album which is blistering with post-punk fury in ways that the younger crowd can only imitate. They kick the ass out of any Franz Ferdinand or Interpol in the circuit. Burma was already legendary before The Obliterati but I'll admit that this disc was my first encounter with their music. I'm late to the game, but better late than never.
21. Swan Lake - Beast MoansThis one took time to fully absorb. Didn't get to me on the first few listens. I put it away for a few weeks and came back to it to give it second chance, and it clicked. What at first sounded to me like a muddled mess became something much different. Something oddly beautiful. Carey Mercer's influence here is the star and although Spencer and Dan each have their characteristic songs, the Mercer/Frog Eyes trademark of beautiful, noisy chaos is prominent and reveals itself to be the creative force behind this excellent album.
20. Thom Yorke - The Eraser Claustrophobic? Yes. A downer? Sure. Ripe full of Thom Yorke patented colloquialisms? Of course. But while Thom shouldn't consider quitting his day job, this unexpected solo effort is a powerful suite of electronic beats and melody led front and center by one of Thom's best ever vocal performances.
19. Belle & Sebastian - The Life PursuitWinning the award for catchiest album of the year, The Life Pursuit also represents a welcome return to form for Belle & Sebastian. Their sound has evolved well beyond the whimsical 60's pop found on the early classics. The new B&S are now more inclined to embrace influences from R&B, blues and glam rock. The result is an addictive combination of B&S pop and T. Rex boogie.
18. Bonnie "Prince" Billy - The Letting GoI only discovered Will Oldham's amazing songwriting chops this year after stumbling upon his LP I See A Darkness. And while The Letting Go remains a far cry from that late-90s release, the new disc is nonetheless an accomplished piece of songwriting and harmony. The songwriting and instrumentation is perfection but for me, it's the beautiful dance of vocal harmony between Oldham and featured vocalist Dawn McCarthy that makes these songs so potent.
17. Cat Power - The GreatestChan Marshall has had one hell of a year. I won't go into the details except to say that The Greatest is the definitive statement that she's turned a corner. Backed by a band of Memphis all-stars, Chan has put together a haunting collection of sultry soul numbers. Better yet, all signs indicate that her live performances have embraced a surprising degree of soul as well.
16. Liars - Drum's Not DeadThe only album on the list without a single pop hook. A lack of melody is typically not something I would label as praise but in this case, it is somehow the best compliment I can give. In any case, for some reason I keep going back to this droning, tribal, drum-based concept album as if under hypnosis.
EDITORIAL NOTE: This list is taking me longer than I anticipated. Too many words, not enough list. I'll let the rest speak for itself, almost.
15. My Brightest Diamond - Bring Me The WorkhorseMy Brightest Diamond came through town twice this year and I missed her each time. That means the only time I've seen Shara Worden live was as leader of an enthusiastic and musically-inclinded troupe of cheer leaders spouting factoids about the 50 states.
14. Islands - Return To The SeaMy own little revelation of 2006 is indebted to this band's former incarnation, The Unicorns. But Islands keeps up the pace nicely. If nothing else, it's cute to hear Canadians rap.
13. Grizzly Bear - Yellow HouseProg as folk.
12. Sunset Rubdown - Shut Up I Am DreamingBetter than Wolf Parade? No, but damn close. And that fact, along with the inclusion of Swan Lake on this list, crowns Spencer Krug fuckin' king of the musical universe in 2006.
11. Junior Boys - So This Is GoodbyeGenre alert: Soft adult contemporary is oh so cool again.
10. Xiu Xiu - The Air ForceLet's face it. This is as accessible as this band is likely to get. Enjoy it.
9. Sonic Youth - Rather RippedThey began as noise rock with a pop sensibility. Over twenty years later with Rather Ripped Sonic Youth is an unabashed pop band with just a hint of that noise hangin' around in the background to make 'em still cool. Hey, it works.
8. Magnolia Electric Co. - Fading TrailsGreat album but to be honest, I first became obsessed with Jason Molina's music upon discovering the final Songs:Ohia disc, coincidentally titled Magnolia Electric Co.
7. Destroyer - Destroyer's RubiesDan Bejar has become one of the most accomplished songwriters of our time. Don't you just love sentences like that? It's so frustratingly generic and exaggerated that there's no way you can argue with me. I win.
6. The Knife - Silent ShoutI prefer to pronouce their name phonetically.
5. The Hold Steady - Boys And Girls In AmericaMy wife is seriously annoyed by these guys. I am not.
4. Bob Dylan - Modern TimesLately, he can do no wrong. Point of fact: this record.
3. Joanna Newsom - YsHere's a formula for you aspiring rock stars out there...
Jim O'Rourke + Steve Albini + Van Dyke Parks x A one-of-a-kind harpist/lyricist = Epic.
2. Neko Case - Fox Confessor Brings The FloodThat voice! But you should also be reminded that she's a truly talented songwriter. And of course, she's smokin' hot!
1. TV on the Radio - Return To Cookie MountainTold you so. Six months later it still socks me in the gut, blowing my mind today like it did the first time I heard it. Plain and simple: TVOTR delivered on the ridiculous expectations of Young Liars and Desperate Youth, Bloodthirsty Babes. No one else sounds like 'em and no one else can top 'em. This is their OK Computer. The scary part is that based on their live show (which I saw 3 times this year), they are getting better and better.
Tuesday, December 19, 2006
JTM's Best of 2006, Part II
A bit of everything...
Best Live Music of 2006
10. The Hold Steady @ First Avenue
9. Clap Your Hands Say Yeah @ 400 Bar
8. Bob Dylan @ Rochester, MN
7. Wilco @ Duluth, MN
6. Sonic Youth & The Flaming Lips @ State Fair
5. Wolf Parade w/ Frog Eyes @ First Avenue
4. TV on the Radio @ Emo's, Austin, TX
3. Austin City Limits Music Festival @ Zilker Park, Austin, TX
2. Neko Case @ Bimbo's 365 Club, San Francisco, CA
1. Radiohead w/ Deerhoof @ The Greek, Berkeley, CA
Live Music Regrets of 2006 (gigs I could have seen, but didn't)
10. Ghostland Observatory @ 7th. Street Entry
9. Low @ First Avenue (although by pure luck, I did see Low the next night in Duluth at a coffee house!)
8. Bonnie 'Prince' Billy @ not sure where
7. Danielson @ Triple Rock
6. Islands @ First Avenue
5. Yo La Tengo @ First Avenue
4. Joanna Newsom @ 400 Bar
3. Cat Power @ Varsity Theater
2. Magnolia Electric Co. @ 400 Bar
1. Destroyer @ 400 Bar
Other Musical Disappointments of 2006
5. Ridiculously overhyped Arctic Monkeys album
4. The Flaming Lips' new release
3. Bands breaking up: Grandaddy and Sleater-Kinney
2. Never being able to see Sleater-Kinney live
1. Missed out on Bonnaroo
Favorite Musical Discoveries of 2006 (not necessarily corresponding to any new music released in 2006)
10. Joanna Newsom
9. Explosions in the Sky
8. Dirty Three
7. Okkervil River
6. Xiu Xiu
5. The Unicorns/Islands
4. Frog Eyes
3. Destroyer
2. Bonnie 'Prince' Billy/Will Oldham
1. Songs:Ohia/Magnolia Electric Co.
Best Music Site of 2006
Daytrotter - for the best live music recording sessions, the best interviews, progressive reviews and if nothing else, then simply for their original artwork.
Best Live Music of 2006
10. The Hold Steady @ First Avenue
9. Clap Your Hands Say Yeah @ 400 Bar
8. Bob Dylan @ Rochester, MN
7. Wilco @ Duluth, MN
6. Sonic Youth & The Flaming Lips @ State Fair
5. Wolf Parade w/ Frog Eyes @ First Avenue
4. TV on the Radio @ Emo's, Austin, TX
3. Austin City Limits Music Festival @ Zilker Park, Austin, TX
2. Neko Case @ Bimbo's 365 Club, San Francisco, CA
1. Radiohead w/ Deerhoof @ The Greek, Berkeley, CA
Live Music Regrets of 2006 (gigs I could have seen, but didn't)
10. Ghostland Observatory @ 7th. Street Entry
9. Low @ First Avenue (although by pure luck, I did see Low the next night in Duluth at a coffee house!)
8. Bonnie 'Prince' Billy @ not sure where
7. Danielson @ Triple Rock
6. Islands @ First Avenue
5. Yo La Tengo @ First Avenue
4. Joanna Newsom @ 400 Bar
3. Cat Power @ Varsity Theater
2. Magnolia Electric Co. @ 400 Bar
1. Destroyer @ 400 Bar
Other Musical Disappointments of 2006
5. Ridiculously overhyped Arctic Monkeys album
4. The Flaming Lips' new release
3. Bands breaking up: Grandaddy and Sleater-Kinney
2. Never being able to see Sleater-Kinney live
1. Missed out on Bonnaroo
Favorite Musical Discoveries of 2006 (not necessarily corresponding to any new music released in 2006)
10. Joanna Newsom
9. Explosions in the Sky
8. Dirty Three
7. Okkervil River
6. Xiu Xiu
5. The Unicorns/Islands
4. Frog Eyes
3. Destroyer
2. Bonnie 'Prince' Billy/Will Oldham
1. Songs:Ohia/Magnolia Electric Co.
Best Music Site of 2006
Daytrotter - for the best live music recording sessions, the best interviews, progressive reviews and if nothing else, then simply for their original artwork.
Saturday, December 16, 2006
JTM's Best of 2006, Part I
The Songs
50. Nature of the Experiment - Tokyo Police Club
49. Get Myself Into It - The Rapture
48. Letter to Bowie Knife - Calexico
47. Brother - Annuals
46. Rear View Mirror - Grandaddy
45. Midnight Voyage - Ghostland Observatory
44. Did I Step On Your Trumpet - Danielson
43. Yell Fire - Michael Franti & Spearhead
42. Broken Boy Soldier - The Raconteurs
41. Don't Take My Sunshine Away - Sparklehorse
40. Mr. Tough - Yo La Tengo
39. Cha Cha Cha - The Little Ones
38. Mothers, Sisters, Daughters & Wives - Voxtrot
37. Violets - Candy Bars
36. Brace Your Face - Aloha
35. Cheated Hearts - Yeah Yeah Yeahs
34. Lazy Eye - Silversun Pickups
33. I Want You So Hard (Boys Bad News) - Eagles of Death Metal
32. Hospital Beds - Cold War Kids
31. The President Is Dead - Okkervil River
30. Postcards From Italy - Beirut
29. Don't Fade On Me - Magnolia Electric Co.
28. How It Ends - DeVotchKa
27. Road to Peace - Tom Waits
26. Game Theory - The Roots
25. Let's Make Love and Listen to Death From Above - CSS
24. Stadiums and Shrines II - Sunset Rubdown
23. Auto Rock - Mogwai
22. Pile of Gold - The Blow
21. Goin' Against Your Mind - Built to Spill
20. The Greatest - Cat Power
19. In The Morning - Junior Boys
18. Sexy Back - Justin Timberlake
17. Roscoe - Midlake
16. And I Was a Boy From School - Hot Chip
15. Insistor - Tapes 'n Tapes
14. The Funeral - Band of Horses
13. John Saw That Number - Neko Case
12. Funny Little Frog - Belle & Sebastian
11. Boy Soprano - Xiu Xiu
10. Free Radicals - The Flaming Lips
9. Swans (Life After Death) - Islands
8. We Share Our Mothers' Health - The Knife
7. European Oils - Destroyer
6. Incinerate - Sonic Youth
5. Harrowdown Hill - Thom Yorke
4. Southtown Girls - The Hold Steady
3. Sister Winter - Sufjan Stevens
2. Wolf Like Me - TV on the Radio
1. Crazy - Gnarls Barkley
50. Nature of the Experiment - Tokyo Police Club
49. Get Myself Into It - The Rapture
48. Letter to Bowie Knife - Calexico
47. Brother - Annuals
46. Rear View Mirror - Grandaddy
45. Midnight Voyage - Ghostland Observatory
44. Did I Step On Your Trumpet - Danielson
43. Yell Fire - Michael Franti & Spearhead
42. Broken Boy Soldier - The Raconteurs
41. Don't Take My Sunshine Away - Sparklehorse
40. Mr. Tough - Yo La Tengo
39. Cha Cha Cha - The Little Ones
38. Mothers, Sisters, Daughters & Wives - Voxtrot
37. Violets - Candy Bars
36. Brace Your Face - Aloha
35. Cheated Hearts - Yeah Yeah Yeahs
34. Lazy Eye - Silversun Pickups
33. I Want You So Hard (Boys Bad News) - Eagles of Death Metal
32. Hospital Beds - Cold War Kids
31. The President Is Dead - Okkervil River
30. Postcards From Italy - Beirut
29. Don't Fade On Me - Magnolia Electric Co.
28. How It Ends - DeVotchKa
27. Road to Peace - Tom Waits
26. Game Theory - The Roots
25. Let's Make Love and Listen to Death From Above - CSS
24. Stadiums and Shrines II - Sunset Rubdown
23. Auto Rock - Mogwai
22. Pile of Gold - The Blow
21. Goin' Against Your Mind - Built to Spill
20. The Greatest - Cat Power
19. In The Morning - Junior Boys
18. Sexy Back - Justin Timberlake
17. Roscoe - Midlake
16. And I Was a Boy From School - Hot Chip
15. Insistor - Tapes 'n Tapes
14. The Funeral - Band of Horses
13. John Saw That Number - Neko Case
12. Funny Little Frog - Belle & Sebastian
11. Boy Soprano - Xiu Xiu
10. Free Radicals - The Flaming Lips
9. Swans (Life After Death) - Islands
8. We Share Our Mothers' Health - The Knife
7. European Oils - Destroyer
6. Incinerate - Sonic Youth
5. Harrowdown Hill - Thom Yorke
4. Southtown Girls - The Hold Steady
3. Sister Winter - Sufjan Stevens
2. Wolf Like Me - TV on the Radio
1. Crazy - Gnarls Barkley
Sunday, November 12, 2006
Mark Mallman
Well guys, this is as close as I get to an 'exclusive,' so enjoy! Last Thursday night, I was lucky enough to hear about an unannounced, last-minute show by Mark Mallman at the 400 Bar. Lucky for my lazy ass (this WAS a worknight), the set time was 9pm.
I've been looking forward to Mark's publicized, headlining gig later this month at the 400 Bar (Nov 24th w/ Espionage! and The Alarmists). But apparently, this was one of those spontanteous "can you play tonight?" sort of gigs and Mark was happy to step in and fill a slot. Due to the short notice, instead of his usual full complement of musicians, Mark came with a pared down configuration: just him, the new touring drummer (an incredibly talented Aaron LeMay, formerly of Planes for Spaces) and a digital recording of guitar, bass, etc. cued up by Aaron prior to each song. Sounds like it wouldn't come across live, but believe me when I say it does.
Mallman is famous for his live performances, including the so-called 'Marathon 1' and 'Marathon 2' gigs at the Turf Club in which he played continuously for 26 and 52 hours respectively. The 52-hour show almost made it into the Guiness Book of World Records! Bottomline, any live show from Mark is highly anticipated around here. Most shows aren't marathons, but he typically puts on a highly stylized, multiple-costume-change glam-influenced bonanza. Or so I've heard. You see, this was my first time to see him live. This is a shaming fact coming from an avid Twin Cities live music junkie, but true nonetheless.
So this isn't the Mark of legend I was seeing on a Thursday night with 30 other people (set time of only 45 minutes!) but it gave me a good flavor of what's to come later this month. First and foremost, Mark is a very charismatic performer. Secondly, he is a stellar piano player, singer and songwriter. Think of a glammier Billy Joel. And speaking of piano man, damn, the abuse Mark gives his poor keyboard is impressive. One moment he'll be laying across it in a sultry pose of mock-seduction, the next he climbs atop and stands, teetering in balance, to sing from the rafters. All of this and he never misses a note. He pauses between songs only to offer self-depracating acknowledgement of the non-existant crowd and thank us for coming to see the "Aaron LeMay Band" all the way from Champaigne, Illinois for their first show in the Twin Cities. Meanwhile, Aaron cues the next track, plays the straight man in Mark's routine and expertly leads each song with a working man's ethic. Together, they seared through some great new material found on the recently released Between the Devil and Middle C, an album I'm now inclinded to purchase. So, an all-around great gig, albeit abreviated. I consider it a teaser for the show on the 24th. It can only get better from here.
I've been looking forward to Mark's publicized, headlining gig later this month at the 400 Bar (Nov 24th w/ Espionage! and The Alarmists). But apparently, this was one of those spontanteous "can you play tonight?" sort of gigs and Mark was happy to step in and fill a slot. Due to the short notice, instead of his usual full complement of musicians, Mark came with a pared down configuration: just him, the new touring drummer (an incredibly talented Aaron LeMay, formerly of Planes for Spaces) and a digital recording of guitar, bass, etc. cued up by Aaron prior to each song. Sounds like it wouldn't come across live, but believe me when I say it does.
Mallman is famous for his live performances, including the so-called 'Marathon 1' and 'Marathon 2' gigs at the Turf Club in which he played continuously for 26 and 52 hours respectively. The 52-hour show almost made it into the Guiness Book of World Records! Bottomline, any live show from Mark is highly anticipated around here. Most shows aren't marathons, but he typically puts on a highly stylized, multiple-costume-change glam-influenced bonanza. Or so I've heard. You see, this was my first time to see him live. This is a shaming fact coming from an avid Twin Cities live music junkie, but true nonetheless.
So this isn't the Mark of legend I was seeing on a Thursday night with 30 other people (set time of only 45 minutes!) but it gave me a good flavor of what's to come later this month. First and foremost, Mark is a very charismatic performer. Secondly, he is a stellar piano player, singer and songwriter. Think of a glammier Billy Joel. And speaking of piano man, damn, the abuse Mark gives his poor keyboard is impressive. One moment he'll be laying across it in a sultry pose of mock-seduction, the next he climbs atop and stands, teetering in balance, to sing from the rafters. All of this and he never misses a note. He pauses between songs only to offer self-depracating acknowledgement of the non-existant crowd and thank us for coming to see the "Aaron LeMay Band" all the way from Champaigne, Illinois for their first show in the Twin Cities. Meanwhile, Aaron cues the next track, plays the straight man in Mark's routine and expertly leads each song with a working man's ethic. Together, they seared through some great new material found on the recently released Between the Devil and Middle C, an album I'm now inclinded to purchase. So, an all-around great gig, albeit abreviated. I consider it a teaser for the show on the 24th. It can only get better from here.
Wednesday, November 08, 2006
Election Day
The setting:
A southern plantation estate, a rodeo, a bus of drunk frat boys, an evangelical mega-church, a business convention, Washington, DC;
The day after the election, with politics on our minds, I could be describing the heart and soul of the Republican party, red-state conservative strongholds, the voting base of one George W. Bush (Editorial note: a shame about those election results, guys). Instead, I'm talking about the playground of Sacha Baron Cohen’s Borat, a horny anti-Semitic journalist on loan from Kazakhstan to document the great American experience.
These two worlds couldn’t be the same thing, could they? This is the year 2006. Surely, we’ve moved beyond the days when our country was populated by the startling prejudice and idiocy that Borat encounters on his journeys. Right? Right.
Last night, election night, I saw Borat with a packed, lively crowd. I’m a firm believer in the communal experience of seeing movies on the big screen, sitting in a theater with strangers in the dark. Nowadays, most of us prefer Netflix DVDs on a flatscreen tv in the privacy of our homes. But I think we can all agree that a comedy is always best seen in a theater, or at least in a group setting. There’s just something infectious about a large crowd in synchronized fits of laughter.
Borat does nothing if not trigger hysterical laughter. This is comedy at its satirical best and outrageously offensive worst. You will marvel at Sacha Baron Cohen's tenacious performance. Borat’s ability to draw out the prejudice in his surprisingly willing subjects is jaw-dropping. These aren't actors, folks. I wish they were. I kept asking myself if this or that scene was staged. Did the person know this was a put-on? How could anyone say that with a camera on them?! Pamela Anderson surely was in on the joke, right? I’m not so sure. In any case, watching Borat interact with these people is constantly hilarious and often sobering. While the satire is sharp and intelligent, Borat also has some of the most brazenly obscene and offensive content I’ve seen in some time. I’m not giving any specifics here. I really want to. But I won’t. Don’t want to spoil anything. Needless to say, Borat is brilliantly subversive in its intent and hilariously juvenile in its execution. Most moviegoers will buy tickets for the absurd, gross-out sight gags but many will leave thinking about what Cohen is really up to, what he's saying, what's real, what's not. It's a low-brow comedy that makes you think.
So yes, all the hype surrounding Borat is dead-on. I don't know why I tried to resist. Borat is indeed one of the funniest movies ever made. The list-maker in me is already comparing it along side other comedy classics to see where it ranks, but why bother. There's no need. Just for god's sake, go see it if you haven't already. As for me, I'm still coming down off the high. If nothing else, it was perfect entertainment on election day and I’m looking forward to seeing it again.
A southern plantation estate, a rodeo, a bus of drunk frat boys, an evangelical mega-church, a business convention, Washington, DC;
The day after the election, with politics on our minds, I could be describing the heart and soul of the Republican party, red-state conservative strongholds, the voting base of one George W. Bush (Editorial note: a shame about those election results, guys). Instead, I'm talking about the playground of Sacha Baron Cohen’s Borat, a horny anti-Semitic journalist on loan from Kazakhstan to document the great American experience.
These two worlds couldn’t be the same thing, could they? This is the year 2006. Surely, we’ve moved beyond the days when our country was populated by the startling prejudice and idiocy that Borat encounters on his journeys. Right? Right.
Last night, election night, I saw Borat with a packed, lively crowd. I’m a firm believer in the communal experience of seeing movies on the big screen, sitting in a theater with strangers in the dark. Nowadays, most of us prefer Netflix DVDs on a flatscreen tv in the privacy of our homes. But I think we can all agree that a comedy is always best seen in a theater, or at least in a group setting. There’s just something infectious about a large crowd in synchronized fits of laughter.Borat does nothing if not trigger hysterical laughter. This is comedy at its satirical best and outrageously offensive worst. You will marvel at Sacha Baron Cohen's tenacious performance. Borat’s ability to draw out the prejudice in his surprisingly willing subjects is jaw-dropping. These aren't actors, folks. I wish they were. I kept asking myself if this or that scene was staged. Did the person know this was a put-on? How could anyone say that with a camera on them?! Pamela Anderson surely was in on the joke, right? I’m not so sure. In any case, watching Borat interact with these people is constantly hilarious and often sobering. While the satire is sharp and intelligent, Borat also has some of the most brazenly obscene and offensive content I’ve seen in some time. I’m not giving any specifics here. I really want to. But I won’t. Don’t want to spoil anything. Needless to say, Borat is brilliantly subversive in its intent and hilariously juvenile in its execution. Most moviegoers will buy tickets for the absurd, gross-out sight gags but many will leave thinking about what Cohen is really up to, what he's saying, what's real, what's not. It's a low-brow comedy that makes you think.
So yes, all the hype surrounding Borat is dead-on. I don't know why I tried to resist. Borat is indeed one of the funniest movies ever made. The list-maker in me is already comparing it along side other comedy classics to see where it ranks, but why bother. There's no need. Just for god's sake, go see it if you haven't already. As for me, I'm still coming down off the high. If nothing else, it was perfect entertainment on election day and I’m looking forward to seeing it again.
Sunday, November 05, 2006
Great expectations for Borat
I am just one of many who have been waiting with giddy anticipation for the release of Sacha Baron Cohen's feature-length epic Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. As a well-versed fan of Cohen's Da Ali G Show, I have a good idea of what to expect, but I'd be lying to not tell you I'm a wee bit worried about how things are shaping up. First of all, you have these reviews, the most glowing of which are written by some very elite and well-respected critics. Then, you have the phenomenal box-office results. Universal acclaim AND strong box-office is a rare feat, my friend.Anyone with a pulse has to admit that Borat looks to be hilarious, and I'm sure it is. But how often do you hear that a film is the 'funniest movie ever made?' Let me repeat, 'The Funniest Movie Ever Made.' I'm prone to hyperbole myself, but even so, that is a very bold statement. And yet I've read that very claim in several professional reviews! This worries me. As with most things, it all comes down to expectations. Who are we kidding? At this point, my expectations are so ridiculously high that I fear they're impossible to meet. I'm just saying that it ain't looking good. Expectations are powerful filters and can have startling effects on our experiences. So my worry is simply that it could be all over for me and Borat. Let's hope not. I hope to see it this week and I'll let you know. If any of you have seen it already, I'm curious to hear your impression. Funniest movie ever?
Friday, November 03, 2006
Supergroups
The supergroup is an interesting but often sketchy phenomenon in pop music. I'd venture to say that most are nothing more than publicity stunts that result in sub-par material. However, sometimes the stars align and for whatever reason, the right people come together to create music that actually transcends their prior works.
In honor of the upcoming release Beast Moans by newly formed supergroup Swan Lake, I present a list of the most impressive lineups in supergroup history. This isn't a list of the best music per se, but simply the most star-studded lineups. I also tried to spread the wealth over different eras as best as I could. The music itself is hit-or-miss, most often miss. Let me know if I missed any big ones...
One important note...I don't count retroactive supergroups, or bands who later spawned huge artists (e.g. N.W.A., Wu Tang Clan, Genesis, The Yardbirds, etc.)
10. Swan Lake
Spencer Krug - Frog Eyes, Wolf Parade, Sunset Rubdown
Dan Bejar - Destroyer, The New Pornographers
Carey Mercer - Frog Eyes
9. Temple of the Dog
Eddie Vedder - Pearl Jam
Jeff Ament - Pearl Jam
Mike McCready - Pearl Jam
Stone Gossard - Pearl Jam
Matt Cameron - Soundgarden
Chris Cornell - Soundgarden
(honorable mention in the supergroup grunge category goes to Mad Season)
8. The New Pornographers
Carl Newman - Zumpano
Neko Case - Neko Case & Her Boyfriends
Dan Bejar - Destroyer
7. The Firm
Jimmy Page - Yardbirds, Led Zeppelin
Paul Rodgers - Free, Bad Company
6. Blind Faith
Eric Clapton - Yardbirds, John Mayall & the Bluesbreakers, Cream
Steve Winwood - Traffic
5. Oysterhead
Trey Anastasio - Phish
Les Claypool - Primus
Stewart Copeland - The Police
4. Crosby, Stills, Nash & Young
David Crosby - The Byrds
Stephen Stills - Buffalo Springfield
Graham Nash - The Hollies
Neil Young - Buffalo Springfield
3. The Super Super Blues Band
Howlin' Wolf
Muddy Waters
Bo Diddley
2. The Highwaymen
Johnny Cash
Willie Nelson
Waylan Jennings
Kris Kristofferson
1. The Traveling Wilburys
Bob Dylan
Roy Orbison
Tom Petty
George Harrison - The Beatles
Jeff Lynne - ELO
In honor of the upcoming release Beast Moans by newly formed supergroup Swan Lake, I present a list of the most impressive lineups in supergroup history. This isn't a list of the best music per se, but simply the most star-studded lineups. I also tried to spread the wealth over different eras as best as I could. The music itself is hit-or-miss, most often miss. Let me know if I missed any big ones...
One important note...I don't count retroactive supergroups, or bands who later spawned huge artists (e.g. N.W.A., Wu Tang Clan, Genesis, The Yardbirds, etc.)
10. Swan Lake
Spencer Krug - Frog Eyes, Wolf Parade, Sunset Rubdown
Dan Bejar - Destroyer, The New Pornographers
Carey Mercer - Frog Eyes
9. Temple of the Dog
Eddie Vedder - Pearl Jam
Jeff Ament - Pearl Jam
Mike McCready - Pearl Jam
Stone Gossard - Pearl Jam
Matt Cameron - Soundgarden
Chris Cornell - Soundgarden
(honorable mention in the supergroup grunge category goes to Mad Season)
8. The New Pornographers
Carl Newman - Zumpano
Neko Case - Neko Case & Her Boyfriends
Dan Bejar - Destroyer
7. The Firm
Jimmy Page - Yardbirds, Led Zeppelin
Paul Rodgers - Free, Bad Company
6. Blind Faith
Eric Clapton - Yardbirds, John Mayall & the Bluesbreakers, Cream
Steve Winwood - Traffic
5. Oysterhead
Trey Anastasio - Phish
Les Claypool - Primus
Stewart Copeland - The Police
4. Crosby, Stills, Nash & Young
David Crosby - The Byrds
Stephen Stills - Buffalo Springfield
Graham Nash - The Hollies
Neil Young - Buffalo Springfield
3. The Super Super Blues Band
Howlin' Wolf
Muddy Waters
Bo Diddley
2. The Highwaymen
Johnny Cash
Willie Nelson
Waylan Jennings
Kris Kristofferson
1. The Traveling Wilburys
Bob Dylan
Roy Orbison
Tom Petty
George Harrison - The Beatles
Jeff Lynne - ELO
Liriano Update
Shhhhiiiiiiiiiiiiiiitt.....
The headline reads: "Twins' Liriano likely to miss '07 after elbow surgery."
Enough said, but if you must, the story is here.
The headline reads: "Twins' Liriano likely to miss '07 after elbow surgery."
Enough said, but if you must, the story is here.
Tuesday, October 31, 2006
Happy Halloween??
What is going on here? I wish I had dressed up in some elaborately scary or hilariously inappropriate costume and gone to a party or gone to a show. Instead, I gave piles of candy to kids who don't say "Trick or Treat?" and weren't even in costume?! Now since when are kids just coming up to some stranger's door and asking for candy without fulfilling those very simple but also very necessary requirements? Because without those key pieces of the game, they're just fuckin' kids stealing candy from a stranger. Call me the Halloween grinch. Next year, we're turning off the porchlight and having a Halloween party of our own. You are invited!
Speaking of the grinch, now that Halloween is here and gone, time for X-mas season! If you didn't just throw-up in your mouth, come with me and celebrate the upcoming season with your pal Sufjan right here. You know you love Christmas albums. Admit it.
Speaking of the grinch, now that Halloween is here and gone, time for X-mas season! If you didn't just throw-up in your mouth, come with me and celebrate the upcoming season with your pal Sufjan right here. You know you love Christmas albums. Admit it.
Monday, October 30, 2006
Xiu Xiu
Tickets went on sale months and months ago, but finally the time came for Xiu Xiu (pronounced "Shoe Shoe") to play their Triple Rock show on Saturday night. Not sure how these things work but Xiu Xiu ended up with the early all-ages time slot, before the later 18+ gig featuring Margot & the Nuclear So & So's with headliner The Elected. No matter.
My first note of commentary is on the audience. Other than a Low show from a few years ago when everyone on the main floor literally sat down to listen, I think this may have been the most still and silent crowd I'd ever witnessed at a rock concert. Eerily so. It was so quiet, I swore I heard a cat meowing somewhere near the back of the room. I'm just glad my phone didn't ring for fear of being yelled at. This is just not the sort of atmosphere you expect. So I couldn't get a read on the crowd. Was this silence in reverence for the indie avant-garde stylings of Jamie Stewart? Or a case of unenthusiastic concert-goers bored to tears? You got me. I'm thinking a bit of both. For example, Jay Flyer, my concert comrade on this evening, was unimpressed and decided a chicken sandwich was in order next door at the bar. But as you could probably guess, I was more on the reverent side of the spectrum. Still, the crowd sucked. Come on, people. It doesn't kill you to dance a little!
So anyway...Xiu Xiu is a fascinating band. They feature confrontational lyrics combined with some explosively violent sounds. But don't let that scare you. Add on Jamie's vulnerable voice and a surprisingly great sense of melody fighting through the chaos and you have some awesome tunes. The Cure is an obvious point of reference but there is no derivative aspect to the band. If you're interested, I strongly recommend Fabulous Muscles or their new release and one of the year's best, The Air Force.
So how are they live? Amazing and volatile. One moment, the music and lyrics are so delicate and hushed that you can barely hear the song; then suddenly, they explode in a fury of raucous (and often danceable) electronic beats and aggressive guitar. There's just three of 'em on stage, and each showcases multi-instrumental talents. But immediately, the first thing that strikes you is that frontman Jamie Stewart is one intense dude. Seriously. I thought he might break down at several points during the set. Whether "break down" meant pulling out a gun and blowing me away, or instead just crying his eyes out, I'm not sure. But that's the intensity I'm talking about. It's this dichotomy of violence and vulnerability that makes Xiu Xiu so damn fascinating.
Take these lyrics from one of their best songs titled "Fabulous Muscles" (which they didn't play unfortunately):
Break my face in
It was the kindest touch you ever gave
Wrap my dreams around your thighs
And drape my hope upon the chance to touch your arm
Fabulous muscles
Cremate me after you cum on my lips
Honey boy place my ashes in a vase
Beneath your workout bench
No romance no sexiness
But a star-filled night
Kneeling down before the now familiar flesh
Of your deformed penis
Wigging out before the unfamiliar flesh
Of my broken neck
So this is not exactly light reading, folks. Jamie Stewart is one serious fuckin' musician. And my god, he could kick my ass, too. Who knew he was some sort of weight lifter? Fabulous Muscles, indeed. Anyway, he is a passionate guy and it comes through in the music and the performance. I've been a fan for only a short while, discovering their music gradually over the last year. It isn't instantly accessible and can be downright frustrating at first but it really grew on me. For anyone who is already familiar with their material, all of this commentary comes as no surprise. But seeing them live really added to their punch for me, even if all this sounds a little too heavy for a rock show. I'm sure that chicken sandwich was good, too.
These postings go on way too long. I apologize. I could have just written this: Shitty crowd, awesomely intense performance, chicken sandwich.
I'll work on my brevity.
My first note of commentary is on the audience. Other than a Low show from a few years ago when everyone on the main floor literally sat down to listen, I think this may have been the most still and silent crowd I'd ever witnessed at a rock concert. Eerily so. It was so quiet, I swore I heard a cat meowing somewhere near the back of the room. I'm just glad my phone didn't ring for fear of being yelled at. This is just not the sort of atmosphere you expect. So I couldn't get a read on the crowd. Was this silence in reverence for the indie avant-garde stylings of Jamie Stewart? Or a case of unenthusiastic concert-goers bored to tears? You got me. I'm thinking a bit of both. For example, Jay Flyer, my concert comrade on this evening, was unimpressed and decided a chicken sandwich was in order next door at the bar. But as you could probably guess, I was more on the reverent side of the spectrum. Still, the crowd sucked. Come on, people. It doesn't kill you to dance a little!
So anyway...Xiu Xiu is a fascinating band. They feature confrontational lyrics combined with some explosively violent sounds. But don't let that scare you. Add on Jamie's vulnerable voice and a surprisingly great sense of melody fighting through the chaos and you have some awesome tunes. The Cure is an obvious point of reference but there is no derivative aspect to the band. If you're interested, I strongly recommend Fabulous Muscles or their new release and one of the year's best, The Air Force.
So how are they live? Amazing and volatile. One moment, the music and lyrics are so delicate and hushed that you can barely hear the song; then suddenly, they explode in a fury of raucous (and often danceable) electronic beats and aggressive guitar. There's just three of 'em on stage, and each showcases multi-instrumental talents. But immediately, the first thing that strikes you is that frontman Jamie Stewart is one intense dude. Seriously. I thought he might break down at several points during the set. Whether "break down" meant pulling out a gun and blowing me away, or instead just crying his eyes out, I'm not sure. But that's the intensity I'm talking about. It's this dichotomy of violence and vulnerability that makes Xiu Xiu so damn fascinating. Take these lyrics from one of their best songs titled "Fabulous Muscles" (which they didn't play unfortunately):
It was the kindest touch you ever gave
Wrap my dreams around your thighs
And drape my hope upon the chance to touch your arm
Fabulous muscles
Cremate me after you cum on my lips
Honey boy place my ashes in a vase
Beneath your workout bench
No romance no sexiness
But a star-filled night
Kneeling down before the now familiar flesh
Of your deformed penis
Wigging out before the unfamiliar flesh
Of my broken neck
So this is not exactly light reading, folks. Jamie Stewart is one serious fuckin' musician. And my god, he could kick my ass, too. Who knew he was some sort of weight lifter? Fabulous Muscles, indeed. Anyway, he is a passionate guy and it comes through in the music and the performance. I've been a fan for only a short while, discovering their music gradually over the last year. It isn't instantly accessible and can be downright frustrating at first but it really grew on me. For anyone who is already familiar with their material, all of this commentary comes as no surprise. But seeing them live really added to their punch for me, even if all this sounds a little too heavy for a rock show. I'm sure that chicken sandwich was good, too.
These postings go on way too long. I apologize. I could have just written this: Shitty crowd, awesomely intense performance, chicken sandwich. I'll work on my brevity.
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